or to IdeasTap

Radio

Commissioned by Heads Together Productions. Heads Together Productions was awarded one of the Community Media Association commissions under the Modulate 2014 programme to create collaborative sound art linking three young writers with three sound artists/designers. Heads Together runs two internet-based community radio stations—East Leeds FM and Two Valleys Radio. As Le Tour is leaving from Leeds on Saturday 5th July and heads down one of the Two Valleys (the Holme Valley) on Sunday 6th—it seemed an obvious theme. (Please download attachment to see full script. Pitch below.) Listen to the piece in full: http://www.writingsquad.com/push/issues/issue-7/cycle-of-sound-take-the-wind/ “I can see the line...
Take the Wind (Cycle of Sound Commission)

Commissioned by Heads Together Productions. Heads Together Productions was awarded one of the Community Media Association commissions under the Modulate 2014 programme to create collaborative sound art linking three young writers with three sound artists/designers. Heads Together runs two internet-based community radio stations—East Leeds FM and Two Valleys Radio. As Le Tour is leaving from Leeds on Saturday 5th July and heads down one of the Two Valleys (the Holme Valley) on Sunday 6th—it seemed an obvious theme. (Please download attachment to see full script. Pitch below.) Listen to the piece in full: http://www.writingsquad.com/push/issues/issue-7/cycle-of-sound-take-the-wind/ “I can see the line in front of me and, suddenly, that familiar sensation is reinstated in my heart. I want to win. I have to win.” Behind the cyclist that holds the trophy are other cyclists – other professionals – other men who also began as boys with dreams of glory. But at some point in their professional career, they made choices – of necessity or by chance – which meant that they would never be winners. They are the domestiques – the men who ride in the wind for their winner, saving him up to 40% of his energy across a race like...

Take the Wind (Cycle of Sound Commission)

Why do you want to report this media?

Giving us a reason helps us to review people's behaviour and enables us to get rid of troublemakers. This message will only be sent to the IdeasTap Team

Please add your email address if you would like us to get back to you.

If you would like to report this to the police, please follow the link on our safety page (Opens in a new window)

All reports will be treated in the strictest of confidence within the IdeasTap Team.

More projects

Treatment - first episode Learning to Breathe is a provoking portrayal of gender politics in the 1980's when the UK, caught up with high drama of riots, bombings and privatisation, was looking the other way. This ambitious, character-driven drama offers fresh insights into the personal politics of the 1980s and the issues which affected women on a very private level. Winter, 1981. Against the backdrop of Thatcher’s ironclad Britain, an unlikely group of women are brought together in a story of loyalty, friendship and survival. Meryl - feisty, independent and living on a shoestring - meets Anita, passive, devoted...
Holding the Baby - Screenplay

Treatment - first episode Learning to Breathe is a provoking portrayal of gender politics in the 1980's when the UK, caught up with high drama of riots, bombings and privatisation, was looking the other way. This ambitious, character-driven drama offers fresh insights into the personal politics of the 1980s and the issues which affected women on a very private level. Winter, 1981. Against the backdrop of Thatcher’s ironclad Britain, an unlikely group of women are brought together in a story of loyalty, friendship and survival. Meryl - feisty, independent and living on a shoestring - meets Anita, passive, devoted housewife, cushioned by her middle class lifestyle. Both pregnant, they meet at the new NHS antenatal classes. Jane, 'Queen of the Mother Hens', has also been dragged to the classes and leads the contingent of moneyed, conservative women who would otherwise never mix with anyone beyond their clique. In a poky classroom, amid breathing lessons and labour plans, a deeply divided society is revealed. The group's teacher Sandra, a ‘relic of the 60s’, is still pushing for women’s rights, yet men like Darren embody the suited business elite of the 80s, and women like Jane still exist to extol ‘housewifely’...

Scripts
For Context: Treatment Holding the Baby is a provoking portrayal of gender politics in the 1980's when the UK, caught up with high drama of riots, bombings and privatisation, was looking the other way. This ambitious, character-driven drama offers fresh insights into the personal politics of the 1980s and the issues which affected women on a very private level. Winter, 1981. Against the backdrop of Thatcher’s ironclad Britain, an unlikely group of women are brought together in a story of loyalty, friendship and survival. Meryl - feisty, independent and living on a shoestring - meets Anita, passive, devoted housewife...
Holding the Baby

For Context: Treatment Holding the Baby is a provoking portrayal of gender politics in the 1980's when the UK, caught up with high drama of riots, bombings and privatisation, was looking the other way. This ambitious, character-driven drama offers fresh insights into the personal politics of the 1980s and the issues which affected women on a very private level. Winter, 1981. Against the backdrop of Thatcher’s ironclad Britain, an unlikely group of women are brought together in a story of loyalty, friendship and survival. Meryl - feisty, independent and living on a shoestring - meets Anita, passive, devoted housewife, cushioned by her middle class lifestyle. Both pregnant, they meet at the new NHS antenatal classes. Jane, 'Queen of the Mother Hens', has also been dragged to the classes and leads the contingent of moneyed, conservative women who would otherwise never mix with anyone beyond their clique. In a poky classroom, amid breathing lessons and labour plans, a deeply divided society is revealed. The group's teacher Sandra, a ‘relic of the 60s’, is still pushing for women’s rights, yet men like Darren embody the suited business elite of the 80s, and women like Jane still exist to extol ‘housewifely’ virtues...

Big Picture - Writer - Materials
See desktop version